Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus is an epochal assessment of the Holocaust and a breakthrough in the serious art of comics, but his full-length achievements are more extraordinary and eclectic. ART SPIEGELMAN: DISASTER IS MY MUSE begins in the 1960s as the co-creator of the Wacky Packages trading card series; his co-founding of the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife, FranΓ§oise Mouly); In the Shadow of No Towers, his response to the events of 9/11, inspired by his witnessing the attacks from his home in lower Manhattan; his controversial covers for The New Yorker (1993-2003), which prompted the New York police to picket the magazine’s offices; and his public response to a recent Tennessee school board ban on Maus. Spiegelman proves to be a formidable guide in his provocative work, working with his contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) who are inspired by Spiegelmanβs unyielding confrontation with personal, traumatic subjects.
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